



While 3,000 people doofed around us, we stayed in bed
Here are Megan, Cary and I (see the close-ups of Megan and Cary on telly?) doing some radical relaxation at the Feast Festival Opening party.My performance of Chat Room will draw on this tradition of LOVE in BED performances
But Greg - this isn't working. My track record is pretty bad. We always end up hating each other in the end. And now, well I think I have the chance to love again - but better.
Could you more clearly outline love for me?
Thank you in anticipation,
Aurora Murphy
PS - I have also been reading Romeo and Juliet and The New Faber Book of Love Poems. They however, seem to have it as arse-up as me.
Remember John and Yoko and their media interviews from bed - well I'm doing it too!
However, I am briging my bed out and onto the street to chat with people. Here's me doing a media interview with the Messenger from my bed in Victoria Square, Adelaide.
I started Chat Room with the assumption that virtual worlds drive us apart. That a world so technologically-driven as ours leads to lower degrees of intimacy between us. We are too afraid to actually chat with someone face-to-face, so we so we go onto chatrooms and meet people virtually.
But now that I have found intimacy online my performance is somewhat different. It's so nostalgic to believe that the internet is a social evil.
Today I went to the opening of Anastasia Klose’s i thought i was wrong but it turns out i was wrong at the Australian Experimental Art Foundation, Adelaide. This piece of performance art asks who is performing, and who is reflecting? It looks to the role of the artist in contemporary life, and the position of art in a hectic society. 
Like House, Klose’s i thought gives spectators time. Time to reflect, to stop for a moment and think. Yet unlike Abramovic’s House, Klose does not search for intimate connection with her audience, even writing that she cannot ‘look into anyone’s eyes’. Instead, Klose’s reflection is personal; we do not connect with her , but with our own act of reflection. As Klose reflects, we are invited to reflect with her. Klose reflects on the act of writing, of performance. This reflection is not pre-conceived, but immediate, and so we are invited into the act. Klose writes that she’s already used all her best material, and doesn’t feel prepared – hence we receive the un-premeditated and the un-rehearsed. We receive the art as soon as it is created.
beds and art can be dangerous too



People sharing in the same space, rather than virtual space.
Lying together and lying together.